In the last year, I’ve started appearing on video a lot more often…though not in the way you might think. I’m getting a growing number of requests from creative partners to replace phone conversations with videoconferences. I have several clients who regularly communicate this way, and have also used it to keep in touch with friends in Germany and Belgium.
Videoconference technology isn’t new, though until recently it’s mostly been seen in corporate boardrooms. In the last few years it’s become more common among creatives as video support has been added or improved in applications such as AIM, iChat, and Skype; and with the spread of inexpensive or built-in video cameras for computers. It’s free, doesn’t use minutes of my cell phone plan, and allows me to have a face-to-face confab with some of the folks I regularly interact with.
Yet at the same time, I’ve also noticed that it’s causing insidious changes in the way I work.
For example, even though I spend most of my on-the-job time in a home office, I’m finding that I’m less likely to skip shaving in the morning. I’ve become more careful about how I dress, how I arrange my office, and how often I clean my desk (or at least push clutter off-camera). Just this week I rearranged my desk so that my computer camera now faces a bookcase instead of a sunny window that I had to close whenever someone came calling on video.
I’ll be frank: as a recovering introvert, there are times when I resent people looking into my world this way. Didn’t I become a freelance creative so that I could have more control over my work environment? Yet I’m also finding that I enjoy the face time. I feel like I have a stronger working relationship with the folks who visit my computer screen. And while I’m not one of those people who goes bonkers from working alone all day, I’ve learned that the occasional video call can be very refreshing.
Though I’ve only been doing video for a few months, I’ve already realized that it requires a different approach than talking on the phone. Here’s a few tips:
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